![]() He also convinced Dietz (who maintained his own full-time job as director of publicity and advertising for MGM) to work with him. After placing songs in two more shows by the end of the year, Schwartz quit his law practice to write music full-time. He made it to Broadway the following year, writing half the songs for the revue The New Yorkers, which ran 52 performances. Schwartz broke into writing theater music by composing three songs for the third edition of the Off-Broadway revue The Grand Street Follies (N.Y., June 15, 1926). 23, 1924), Schwartz tried to convince Dietz to work with him Dietz initially demurred. After Howard Dietz collaborated with Jerome Kern on the unsuccessful Dear Sir (N.Y., Sept. Schwartz was admitted to the bar and set up a law practice. The two wrote songs for camp shows, and though Hart maintained his partnership with Richard Rodgers, he encouraged Schwartz to pursue a career as a composer. He graduated from law school in the spring of 1924 and took a job as a counselor at a summer camp because lyricist Lorenz Hart was also a counselor there. Schwartz published his first song, “Baltimore, Md., You’re the Only Doctor for Me” (lyrics by Eli Dawson), in 1923. in 1921, then attended Columbia Law School. Graduating with a B.A., he earned a masters degree in English literature at Columbia Univ. While attending N.Y.U., 1916–20, he wrote football songs. He learned to play piano and was working as an accompanist to silent films at the age of 14. Schwartz was the son of a lawyer who encouraged him to take up the legal profession. Harburg, Ira Gershwin, Dorothy Fields, Oscar Hammerstein II, Johnny Mercer, Frank Loesser, and Sammy Cahn. Collaborating most frequently with lyricist Howard Dietz, he scored numerous song hits and standards, including “I Guess I’ll Have to Change My Plan,” “Dancing in the Dark,” and “That’s Entertainment,” and he also worked with some of the top lyricists of his time, among them Otto Harbach, E. His most successful shows were small- scale revues in fact, none of his book musicals on Broadway turned a profit. ![]() ![]() Schwartz wrote the music for 22 stage and 11 movie musicals between 19. ![]()
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